Zombies Eating Swat Man Art the Walking Dead Comic
Last night, AMC screened the airplane pilot of new show The Walking Dead, in which Andrew Lincoln's small-scale boondocks Georgia sheriff Rick Grimes desperately attempts to reunite with his family in a zombie apocalypse. The result was an ballsy beginning to this adaptation of Robert Kirkman's long-running comic—and an amazingly horrific display by Tv set standards.
How did pilot director Frank Darabont get away with featuring so much bloody mayhem? Will a knowledge of the original comic series assistance viewers guess which characters are going to alive and which go undead chow? And was that really Jim Carrey cameo-ing as a zombie?
Afterward the spring, Robert Kirkman—who is also one of the writers on the show and a Walking Dead executive producer—tackles these questions and more than. Though, be warned, at times the conversation leans toward the gory and, if yous haven't even so seen the pilot, spoilery.
Entertainment Weekly: I'thousand guessing the Walking Expressionless airplane pilot is the beginning to open up with the hero shooting a cute—if admittedly zombiefied—piddling girl in the head.
Robert Kirkman: That could exist a first perchance, yeah.
EW: Even your original comic didn't boot off in such a savage manner. Was in that location much discussion nigh that whether that was a practiced thought?
RK: You know, it was merely something Frank put into the script. At no point did AMC say, "Yep, maybe we shouldn't be doing this." So I guess because it was treated like it wasn't a big deal, information technology didn't really occur to me how bold that was until I was on set. It was always a question as to how much of that they were going to testify, and AMC has surprised us with everything that they're allowing united states of america to practise. There was a plan at one point to shoot a lot of gore—which is what we did—just the original plan was to have re-edited versions of the episodes, that would go on DVD. But at this point, AMC hasn't actually made us pull anything.
EW: The kid was wearing rabbit ear slippers, for goodness sake!
RK: Well, Frank is very demented.
EW: So the testify cut back in time to a long conversation about women between Rick Grimes and his beau cop, Shane (Jon Bernthal). Information technology'southward similar the first scene was saying, "Hey, if you don't similar zombie movies, and so switch over to Brothers and Sisters, but the second sequence fabricated clear that this is not just going to exist a show nigh people plunging axes into zombies' heads.
RK: Aye. It's a very absurd juxtaposition [that explains] what this show is going to exist. The show is going to serve a lot of masters. There'southward going to exist very straight human being drama stuff, so in that location'due south going to be very graphic, crazy zombie stuff. And it's peachy that in the get-go minutes of the first episode yous get a sense of exactly what the show is going to be bringing you, calendar week after calendar week.
EW: I suspect a lot of people who are coming beyond the story of The Walking Dead for the beginning time would have idea that the guy-wakes-from-coma-to-find-that-the-earth-has-been-overrun-by-zombies plot was very similar to 28 Days Later. Presumably y'all had seen that film when you wrote the starting time issue of the comic?
RK: No. Welcome to my life seven years agone. It was complete coincidence. I saw 28 Days Later before long before the get-go issue of Walking Dead was released. That first event came out in Oct of 2003 and 28 Days Later was released in united states of america in June of 2003. So we were working on our second issue by the time I saw it. It was going to exist a matter of somehow trying to restage the entire first issue, because it was a very like blackout opening. I made a decision—which I pretty much regret at this betoken—I said, "You know what? It's so different [from that bespeak on], I will probably never hear annihilation about this." And I was wrong.
EW: So when you lot saw the movie you must have thought, "Oh s—!"
RK: Yeah. It was a fiddling annoying. But great minds remember alike, right?
EW: A colleague of listen who saw the pilot, and is unfamiliar with the zombie genre, couldn't believe that Rick didn't spend more than time going "So, what exactly happened while I was in a coma?" He doesn't seem to show a lot of involvement in the details of how the unabridged world fell apart.
RK: Well, he has a lot distracting him. He has a wife and son that'due south out in that location and right now he's focusing on that. As the show progresses, you'll see that Rick is a very one-rails-mind kind of guy. He's not going to stand effectually and go, "Well, I'thousand going to detect my wife and son, but first we need to find out what all these dead people are doing." Plus, if something like this were to actually happen, the people in Georgia aren't going to walk out of their houses and say, "We demand to get to the bottom of this!" Pardon my French, simply that'southward like a bulls— action moving-picture show kind of stance. That's not how information technology would be. The principal worry would be, "How are we going to survive today? How are nosotros going to observe nutrient? How are nosotros going to protect ourselves?" People would merely assume that the government was trying to practise something. Or they would merely presume that there was nothing we could exercise.
EW: Information technology'south interesting, because Rick's a cop, but he'south conspicuously not John McClane.
RK: Rick is a much more realistic police force role. I always kind of pictured that Rick Grimes was not a police officer that had used his gun very often. He was just one of those guys that basically just walks by the local malt shop and made certain the kids were getting home on fourth dimension.
EW: There was one zombie in the evidence that looked but like Jim Carrey, who worked with Frank Darabont on The Majestic. Tin can you confirm whether or not that was a cameo from Ace Ventura?
RK: Information technology's not Jim Carrey at all. And dammit, near days I remember that guy'south name. He's a great guy. I've met him a few times. He works for [visual effects visitor] KNB. He appears like maybe four times as different zombies in the six episodes.
EW: Too, one of the first zombies nosotros saw in the episode had no legs. Was that CGI or did y'all use an amputee actor?
RK: That was completely CGI. The adult female was wearing basically blueish stockings and then everything was cleaned out. At that place is an alarming amount of CGI in the pilot episode and in the whole prove, and y'all would never know it. The visitor, Stargate, that does information technology, does a lot of CGI for television, and they practice an amazing job. In that location's a shot where Rick is riding off on the horse and his hat really blew off, and they really liked that shot, and so they had Stargate go in and digitally put the hat back on his head.
EW: We also discovered in the airplane pilot that zombies love eating horses, which is a difference from the undead mythology as set out in George A. Romero's zombie films. In fact, as I'yard sure y'all know, in Romero's most recent zombie movie, Survival of the Dead, they spend a long fourth dimension trying to persuade one of the zombies to swallow a horse.
RK: Yes, that is truthful. Anecdotally, that is actually the exact same horse.
EW: Really?
RK: Yep, yeah, the trained equus caballus in the Walking Dead pilot and is the exact same horse from Survival of the Dead. But once more, similar to the 28 Days Later on state of affairs, the zombies-eating-the-equus caballus matter was in The Walking Expressionless seven years agone. So, screw you George Romero! [Laughs]
EW: In the comic book, the affair between Rick's married woman Lori and Shane is over by the time we catch up with the characters. Only in the show, they're depicted as nonetheless together. Why?
RK: Well, I didn't know how long the comic book series was going to last. I hoped that it would become a success and survive for years and years. Just at that time in my career, it was very early, I had had a lot of books canceled, only considering of poor sales. So early in the book I would move by storylines very rapidly. I gear up this dearest triangle and I resolved that story and moved along within the starting time [few] bug. But there'due south a lot of story potential to mine in that location. One of the things that the TV show is able to practise is to look at the comic volume series with retrospect and go, "This would probably be something that nosotros could explore more than." And that's what we're going to be doing. Then we'll be seeing a lot more than of the Lori-Shane-Rick love triangle.
EW: I'thousand very familiar with your still ongoing comic series. So, how confident should I be that I know which characters are going to survive for a long time?
RK: Not. Confident. At all. One of the all-time aspects of the comic book serial is, when y'all sit downwards to read an upshot, you really take no idea what's going to happen. Anybody could become at whatever moment. There'due south really no sense of condom in the comic book at all. And I wanted to preserve that for the television show. If people on the show have ideas for different things to happen, I encourage that. I want people to be as surprised by the testify as they are by the comic book series.
Cheque back next calendar week, when Kirkman answers our questions about the second episode of The Walking Dead.
Did you watch the prove last night? What did y'all think? And check out the latest Television set Insiders podcast in the video below, featuring an interview with Walking Dead creator Robert Kirkman and star Andrew Lincoln!
More on The Walking Dead:
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The Walking Expressionless
AMC'due south zombie thriller, based on the archetype comic book series created by Robert Kirkman.
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Source: https://ew.com/article/2010/11/01/walking-dead-amc-pilot-kirkman/
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